Let’s consider for a moment what Lil Wayne apparently thinks rock music is.
A few years ago he contributed a guest verse to “Let It Rock,” the debut single from producer-turned-singer Kevin Rudolf. “Let It Rock” isn’t really a “traditional” rock song in any sense; it’s more of a typical club banger that happens to feature power chords. The song itself is okay, but I really bring it up because it seems like the seeds of Weezy’s ill-fated attempts at crossing over were planted within that track. Ever since that song came out, he’s been trying to add rock elements to his usual rap and AutoTune pop and… well, let’s just say it hasn’t really worked out.
In January of 2010 Lil Wayne unleashed Rebirth to a world that had been dreading its arrival since the day it was announced. The album had been delayed so often that by the time it finally came out its lead single “Prom Queen,” which is already a strong contender for worst song of the decade, was all but a distant memory. The critics, of course, completely eviscerated it – and rightfully so; Rebirth was a total disaster.
Rebirth was a rock album made by someone who had no clue how to make rock music – hell, he could barely even play two notes on the guitar – but tried anyway because nobody was going to tell him, “Dude, this is a really bad idea.” It was filled with extremely overproduced guitars, cheesy solos, and quite possibly the worst singing I’ve ever heard from a major-label artist. This is probably an unfair distinction to give it – Lil Wayne was, after all, a rapper using excessive amounts of AutoTune, but it was his idea to let us hear him warbling like a whiny robot and so he must pay the penalty.