Posts tagged “Ke$ha

The 2011 “Listen Up!” Awards: Handing Out The Harleys

So here we are, entering the home stretch of the year 2011. And if you actually believe that whole stupid Mayan apocalypse theory, we’re entering the home stretch of the human race. On that happy note, we’re going to be seeing some year-end lists popping up some time in the next couple of weeks. I figure I might as well submit my own, but just as I did last time I’ll be looking at unconventional categories (read: totally arbitrary distinctions that I made up myself). It’s time for the 2011 Harleys!

Who's a good little award statuette? YOU ARE! Come here and let me scratch you!

The fun begins, as always, after the jump. Bring on the first award!

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The Search for the Song of the Summer

Every summer is often defined by that one massive pop hit, that one song that so thoroughly dominates the airwaves that it will lurk in your memories of that summer for years to come whether you like it or not. And as much as I would love for the Radioheads and My Morning Jackets and Minus The Bears of the world to dominate the summer with a monster hit, I’ve accepted that it’ll probably never happen. Not unless I one day gain the power to reshape mainstream culture to fit my own taste. There’s probably an X-Men character who can do that.

Last year the title was pretty much handed to Katy Perry’s “California Gurls” the instant it was released. This left me to wonder if I was the only person on Earth who realized that “California Gurls” was a blatant rewrite of Ke$ha’s “Tik Tok,” a song that already irritated the crap out of me the first time around. Hell, I still have memories of being the only kid alive in 1996 who didn’t want to learn the stupid Macarena. And if I ever hear “Livin’ La Vida Loca” or “All Star” again, it will be too soon. I guess the lesson is that no matter what the song of the summer ends up being, by the end of that summer simply hearing the first new notes of that damn song will be enough to drive you utterly mad.

So with the summer of 2011 officially underway, let’s take a look at some randomly chosen contenders from this week’s Hot 100. The fun begins after the jump!

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Free Single Review: Porcelain Black, “This Is What Rock N’ Roll Looks Like”

Let’s consider for a moment what Lil Wayne apparently thinks rock music is.

A few years ago he contributed a guest verse to “Let It Rock,” the debut single from producer-turned-singer Kevin Rudolf. “Let It Rock” isn’t really a “traditional” rock song in any sense; it’s more of a typical club banger that happens to feature power chords. The song itself is okay, but I really bring it up because it seems like the seeds of Weezy’s ill-fated attempts at crossing over were planted within that track. Ever since that song came out, he’s been trying to add rock elements to his usual rap and AutoTune pop and… well, let’s just say it hasn’t really worked out.

In January of 2010 Lil Wayne unleashed Rebirth to a world that had been dreading its arrival since the day it was announced. The album had been delayed so often that by the time it finally came out its lead single “Prom Queen,” which is already a strong contender for worst song of the decade, was all but a distant memory. The critics, of course, completely eviscerated it – and rightfully so; Rebirth was a total disaster.

Rebirth was a rock album made by someone who had no clue how to make rock music – hell, he could barely even play two notes on the guitar – but tried anyway because nobody was going to tell him, “Dude, this is a really bad idea.” It was filled with extremely overproduced guitars, cheesy solos, and quite possibly the worst singing I’ve ever heard from a major-label artist. This is probably an unfair distinction to give it – Lil Wayne was, after all, a rapper using excessive amounts of AutoTune, but it was his idea to let us hear him warbling like a whiny robot and so he must pay the penalty.

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