About a year ago Bloc Party released their third studio album Intimacy as an online download for ten bucks. The download featured ten songs (“Talons” was added for the CD release, along with a bunch of bonus tracks), and since iTunes was still charging 99 cents a song at the time it seemed fair enough. (Plus, like I said, they’re one of my favorite bands.) In the months leading up to the online release of the new album, they’d put out a couple of heavily electronic singles. First there was “Flux,” which is a straight-up synth-driven dance song, and then there was “Mercury,” which turned out to be the lead single from Intimacy.
While “Mercury” took some time to get used to (as opposed to the instantly catchy “Flux,” which I think should have been the lead single instead), I found myself wondering if Bloc Party was about to release their Kid A — that is, an album where an established rock band suddenly shifts gears and explores electronica. Their change in sound between Silent Alarm and A Weekend In The City, while perhaps not the most popular of decisions, at the very least showed that they were a band who were willing to try new things and didn’t want to make the same album twice. So when the download became available, I snatched it up and decided to give it a listen.
Three minutes later, I found myself hoping I hadn’t made a big mistake. I had been greeted with a song so violently chaotic, so disorienting and confusing, that perhaps it makes sense that it was named for the Greek god of war. And no, I don’t mean this guy…
Bloc Party’s “Ares” is just another example of what happens… When Bad Songs Happen To Good Bands.